Beijing Film Academy
CN
Gordon Jinhui Lee
Gordon JIN-HUI Lee
Associate Professor in Beijing Film Academy
Expertise:
Directing & Production Design & Visual Effects Supervising in Film Production
Member of the Visual Effects Society in United States — ID:3626
Teaching in Beijing Film Academy:
in Directing Department: Visual narrative in Film Production
in Department of Production Design: Visual Arts in Film Production
Award—winning experience:
2023 The Best Feature Film Award “ white snake” in China Hua-biao Film Awards As Production Designer and Visual Effects designer
（China Hua-biao Film Awards, one of China's most prestigious film competitions）
2022 Nominated by Feature Film “white snake” in China Golden Rooster Awards as best production design
2012 The 49th Taipei Golden Horse Film Awards Best Visual Effects nomination —— The film "Starry Starry Night”
2012 Hong Kong International Film Festival — The 6th Asian Film Awards - Nominated for Best Visual Effects
2012 The 14th Taipei International Film Festival Best Visual Effects Award (Film "Starry Starry Night”)
2011 won the Film Technology Application Achievement Award by the National Administration of Radio Film and Television (The film "Orphan Zhao" and "Surviving Day”)
2013 The 3rd Beijing International Film Festival “Tiantan Award” for Best Visual Effects - Film "1942" (Co-Visual Effects Supervisor)
In 2016
2013 the Outstanding Academic Paper Award in the 25th Chinese Film Golden Rooster and blooming flowers Film Festival
2014 instructed students to complete the film "Where Dreams Begin" nominated for the 2014VES Visual Effects Society Awards.
2010 The First China Film Special Effects Summit Forum Best Visual Composition Award (Beijing Film Academy)
2009 The 29th Flying Apsaras Awards - Best Visual Effects Award ——-TV Episode —-“Tai-wan 1895”
2013
Directed the students to create the visual effect film "Elapse", which was nominated for the best original feature film at the 2013 College Student Film Festival
Film Production Experience:
2024 directed a feature film by whole—virtual production process.
2021 as Production Designer & Visual Effects Design participated in film "Legend of the White Snake. Love" (co-produced by Pearl River Film Group & Guangdong Yue Theatre)
2021 as on set Visual effects Supervisor work for the film “749” directed by Lu—Chuan who is famous director in China
2021
as visual effects supervisor work on the Film “Prestige Writer in China—Liu Qing”
2018
As a production Designer participated in Co-production "Hope Island”(also named “Iron Sky 3”) director is Timo Vuorensola
2011 as a Visual effects Supervisor work on the film “Sacrifice“ also named “Orphan Zhao”. Director is Chen Kaige who is prestige director in China.
2013 as a Visual effects supervisor work on the film “Special ID”， leading actor is Zhen-zidan who is famous martial art star .
2012 as Visual effects Supervisor work on the film “I Do”. The leading actor is Li-Bingbing who played a very important role in the Resident Evil .
2012
As Visual effects Supervisor work for the film “Starry Starry Night”
2011
As Visual Effects Supervisor and co-art designer work on the film “The Adventures of Lee” which directed by Guofan who is director of “The Wondering Earth ”
2012 Co-visual Effects Supervisor for the film “1942” which directed by Feng—xiaogang” who is well know best box-office directer in China .
2012 As visual effects supervisor worked on film ”Lop Nur" VFX supervisor.
2013 film Hypnosis Master co-visual effects direction
Visual effects Supervisor for the 2012 film "Time and Space Lovers"
Visual effects Supervisor for the 2012 film Iron Dolls
2010 film "Beichuan Rebirth" visual effects supervisor
2011 film Urumchi Sky visual effects director
Visual Effects Supervisor and co-art Director for the 2010 film Surviving Day
Visual effects Supervisor for the 2010 film "Days Under the Clouds"
2008 Experimental film "Gust of Wind" visual director (with artist Zhang Peili)
2004 as a co-Visual Effects Supervisor worked on film “A World Without Thieves” which was the maximum box-office grossing film of the year in the Chinese film market.
2003 as visual effects designer & line producer worked on film “peacock”
, the film won the Silver Bear at the Berlin Film Festival that year.
2002 As Visual effects designer for 2003 film "Breaking Waves"
2003 as visual effects designer worked on film "Zhou Enlai Trip to Bandung”
2002 as visual effects designer worked on the film "Purple Day” which narratives about Chinese history .
2002 as visual effects designer worked on the film "Talk"
2002 as a visual effects designer worked on "Chinese Civilization”which presented by China National Television&Broadcasting Station.
2002 as visual effects designer worked on film "Big Shot” which directed by Feng—xiaogang
2001 worked on film "Gun Hunt” for visual effects designing
2000 worked on film "Hero Zheng Cheng-gong” visual effects design and production
2000 worked on the "Save Love” for visual effects design and production
New Media Arts and Stage play Visual Arts Creation:
2020 Interactive video experience art "The Three-Body Problem" [Three-Body World] is the art director of Shanghai Center exhibition
2019 Kunming science fiction musical "Space Opera" (under creation) as screenwriter/director
2018-2019 Visual Creative Director and drama Director of Xi 'an White Deer Yuan Film Science and Technology Museum
2014 Wuhan Theater large-scale dance drama "Glass Light" visual director (Su Shijin chief director Liu Kedong choreography design)
2008 New media experimental film "Gust" director (with artist Zhang Pei-li)
TV Episodes creation:
2021 Art Director of Mango TV's Dream Catcher (adapted from the original Evil Hypnotist by Zhou Haohui)
2021 i-Qiyi drama "Eight Hours" art direction and visual effects director
2020 Tencent drama version of "The Wind" art direction and visual effects director
2019 Huayi Brothers "Demon" art director and visual effects Director
2020 Art Direction and Visual Effects Supervisor for The Secret of the Dark Grid at Mango TV
Art Director and Visual Effects Director of the 2017 drama version of The Kingdom of Women
2017 Youku "Soul Alive" art director and visual effects Director
2016 Tencent "Live up to your expectations" Art director/Visual Effects Director
Visual effects Supervisor for the Sea of Snow
Visual Effects Supervisor and co-art Designer of A Chinese Odyssey
2015
The Book of Mountains and Seas visual effects direction
"Dawn of the War" split director, visual effects supervisor
Visual effects Supervisor on "Mordor"
2013
Visual effects Director of the big TV series "River East"
Visual effects Supervisor for the large-scale TV series "Forty-Nine
2011 VFX Supervisor for "Creation"
2010 TV series "Confucius Spring and Autumn" visual effects director
2010 TV series "Confucius" visual effects director
2009 VFX Supervisor for the National Anthem,
2009 TV series "Sun Tzu" visual effects supervisor,
2009 Visual Effects Supervisor for the TV series "Live and Die".
2008 Visual Effects Supervisor of the TV series "Heaven and Earth",
2007 TV series "Once Upon a Time in China" VFX supervisor,
2007 VFX Supervisor for Taiwan 1895 (Best Visual Effects Award)
2006 TV series "Ming Dynasty 1566" visual effects supervisor
2005 TV series "Joe Family Compound" visual effects design
2005 TV series "Heroes to the East" visual effects design and joint art design
Academic Publications:
Film Visual Aesthetics Rampage - [White Snake's Love Story] Visual Creation Methods, China Literary Federation Press (in press)
Digital Production of Film Visual Effects, China Film Press, 2014
The Story of Vision - A Masterpiece of Ancient City Visual Creation, China Film Press, 2016
The academic paper "Virtual hidden in Reality - Talk about VR Visual Image Creation" was published in the third issue of Beijing Film Academy Journal in 2016
Academic paper "Virtual Reality and film visual effects" in 2016, won the 25th Golden Rooster Hundred Flowers Film Festival Science and Technology Forum outstanding paper award.
The academic paper "Visual Effects Design of the Film [Ming Dynasty]" was published in the Journal of Beijing Film Academy in 2006
The academic paper "On the Visual effect Design of the film" Returning Heroes to the East "" was published in CG magazine in 2006
The academic paper "On the artistic expression of digital visual Effects in Science and education Films" was published in World Radio, Film and Television in 2002
Academic Event :
2012–-2014
For three consecutive years, on behalf of the Beijing Film Academy hosted the Sino-US International Film Master Class between Chinese Industry with the University of Southern California Film School
As Visiting scholar visited Department of Film Science and Technology in Columbia College Chicago in 2014
May 12, 2012
China Film Museum ------ Co-hosted a academic conference focus on Visual Arts Aesthetics in Film Production
December 20, 2012
Guest speaker at the annual conference of China TV Episode Directors Creative Committee
Speech Topic: “ Visual Aesthetics of Chinese TV Episode production”
